Skip to main content

The Pandora Principle By Carolyn Clowes


 Star Trek novels often run into the same issue as Marvel movies. They often take place between installments of shows or movie franchises, so these big important things happen only to never be spoken of again. This book has some of that. It also tries to develop a backstory for a character introduced in Star Trek II: The Wrath Of Khan, and chose to give one that makes little sense. The half Romulan, half Vulcan Saavik was of course going to get stories focused on her. But this book sets her story right after Star Trek The Motion Picture, where Spock discovers her on a Romulan planet during an illegal Vulcan rescue mission. She is feral and speaks in a pidgin language. And her presence on this world is tied to a Romulan plot to start a war and wipe out the Federation.

The book states there are 6 years between the events of The Motion Picture and it's story. Which means that if the events of WOK take place immediately after, which is not the sense given, they are 6 years (or more) as well. That seems too long a stretch. It also seems too short a stretch for the total transformation of Saavik from feral savage to pseudo-Vulcan convincing enough to pull the wool over the eyes of a crew who have spent years on a ship with Spock. Then there are the new characters introduced. They range from kind of dumb to mildly interesting, with little time given to much development. But none of them are present in WOK so at the end a convenient device is given to shuffle them all off.

The mainstay characters are mostly handled well. At first I was a bit put off by Spock's treatment of his fellow crew members, but remembered that he had been through his aborted attempt at Kolinahr at this point. Of course his tenderness with Saavik at certain points makes this explanation a bit tenuous. Then there is McCoy's seemingly outright hostility to Spock, until the end when the author seems to remember that he is actually fond of the half Vulcan. Kirk is erratic and a bit petulant, which fits his character pretty well from the first two movies. He was having a bit of a midlife crisis during this period, part of the reason the first two movies seemed closer in timeline than six years to me. Uhura, Scottie, Sulu and Chekhov are all handled very well, coming across much as the familiar characters from t.v. and the movies.

As for the story itself, once I got past my gripes about timelines and such, it was actually pretty good. At times the writing was a bit clunky, especially when the author tried to have overlapping dialogue (which doesn't work as well in the printed format as it does in an audio/visual one). But the story itself was clever and fun. And while there were a couple of chapters devoted to the Romulan point of view, it did not make the very common mistake of giving them equal time. In the story there is a shadow movement of Romulans who want to force the Empire to rekindle its war with the Federation. They have been working on a superweapon that destroys oxygen, and manage to detonate it on Earth. It is able to be contained, but not indefinitely.

Of course the weapon and it's development are tied in to the planet where Spock, his father Sarek, and other Vulcans had previously gone to rescue abducted Vulcans. No Vulcans had been found, but several half Vulcan half Romulan children were rescued. Saavik, as mentioned, was one of these. Spock's encounter with her on the planet made him take a special interest in her, and he had helped tutor and guide her. She is now a cadet at Starfleet Academy, and by coincidence visits the Enterprise when the weapon is set off. She recognizes the weapon from her mostly submerged childhood memories, which prompts Spock to take the Enterprise back to the planet in question. Kirk is trapped underground at Starfleet HQ, and doesn't have a very big role in the story.

There are some really good elements to the story, some that are just too contrived, some that make little sense (why wouldn't they bring the scout ship on board the same way they did the smuggler's ship?), and too many forced happy endings that seem to undo some of what made the story really have an impact. But overall, it is a fun read and a decent addition to the Star Trek canon, certainly better than some other entries. It was almost ruined by the author's apparent need to tie in Saavik's backstory, but she managed to pull out a compelling enough read that you're able to give it a pass. There are characters that didn't need to be included, and in fact don't make much sense to be on what is in fact basically a military vessel.  But again, they are handled in a way that you end up not minding all that much after some initial annoyance. (Until the "and they lived happily ever after"s tacked on at the end as mentioned, at least.) 

This is apparently the only novel, Star Trek or otherwise, that Carolyn Clowes ever wrote. That's a shame, because for a first novel it's really good and she likely would have gotten much better. She is also obviously a big Trek fan, referencing episodes of the old show in her story. And her story was clever, while a few of the things I didn't like had the whiff of editorial intervention to make it more "universally appealling". Maybe this was the only story she wanted to tell. Whatever the reasons I applaud her for getting this one out there. It's not going to be a book for everyone, but if you're inclined to like Star Trek, you'll enjoy this book. If you're not, I'm not sure why you'd even have read this far into my review.

Comments

Popular posts from this blog

Movies That Really Changed My Life

I have talked about a couple of early movies that changed my life, like  Star Wars  and  The Rocky Horror Picture Show , but I didn't go into detail about how they did so. Star Wars, of course, changed everyone's lives. It was one of those things that made us rethink how we could tell stories and how movies could be made. It nerdified an entire generation and can be said to have led to the culture we have now, dominated by comic book movies and video games. The Rocky Horror Picture Show opened my mind up to different ways of life and expressing sexuality while also promoting messages of positivity and courage in life. (This may not be what people think of when they see that movie, but it's in there. Don't dream it, be it.)  Another movie that really hit me was Almost Famous, Cameron Crowe's not-quite-biographical movie about a kid working as a reporter for Rolling Stone magazine in the early 70's. The Tiny Dancer scene made me think of times when music had helpe...

5 Fun Pop Culture Facts Strike Back

  Miami Vice's Fancy Duds Miami Vice was a new benchmark for style over substance in television drama. Not saying it wasn't fun to watch, but that had more to do with the soundtrack and the way the show looked than the writing. The show runners knew this too. That's why the wardrobe budget for the pilot alone was $70,000.00. That's in 1984 money too. Zeppelin's Fourth Led Zeppelin's fourth album technically doesn't have a title, the band wanted the music to stand on it's own. It has been referred to as IV (due to it's being the 4th album obviously) and Zoso (due to the rune Jimmy Page chose to represent him which looks like those letters). The most whimsical title I've seen for it was in the book Rock Revolution published by Creem magazine, who called it @#%&. Paid Laughter If you are smart enough, you can turn any skill into a career, no matter how silly it may seem. Take Ann Shalla, who would laugh at almost anything, and had a v...

The Lair Of The White Worm

  While Dracula might be his best known work, it is not the only thing Bram Stoker wrote. And it's not even the only thing to get a movie adaptation. Ken Russell is known for making horny,deviant movies, so of course his 1988 loose adaptation of The Lair of the White Worm is both. Featuring a rape scene of a convent full of nuns against a psychedelic backdrop, a snake woman who dresses in vinyl dominatrix boots and slinky lingerie, a human sacrifice where the ritual involves a giant strap on dildo (even Russell apparently got cold feet occasionally, as no attempt was made to employ said dildo), and a weird throwaway pedophilia joke. A couple of future stars are in there (both Peter Capaldi and Hugh Grant have ties to Dr. Who, as well as having worked together again in Paddington 2). And there are some on the cheap 80's special effects that look pretty good all things considered. The movie begins with archeology student Angus doing an impromptu dig at a bed and breakfast run by ...